These posters and magazine covers make up a scene that is essentially a graphic design alternative to a montage. The graphics show Peppy’s public profile rising as her career gains momentum with new films, interviews and cover photo shoots. We learn all this without any dialogue or cutting to different scenes. The ephemera elegantly slides into shot, initially over the top of a clapping crowd from the previous scene. Piece by piece, one on top of another it falls, as if it were being thrown gently on a table. It’s a really wonderful scene and 100% graphic prop based. I can only imagine the fun the graphic design department had creating all this ephemera. The official “Graphic Designer” credited on the production was a man called “Martin Charles”. A “Michael A. Heath” is also credited on IMDB as “Prop Paperwork” which suggests he was also part of the graphic design department.